Come next January, the first ever Rendezvous collection Bruno Frisoni has designed for Roger Vivier will wend its way around eight cities—including Hong Kong and Milan—all across the world.
There are straw shoes adorned with a rose—woven by a milliner—in a shade that looks like wheat kissed by the sun. Or tea-stained silk mesh pumps embroidered with flowers constructed out of beads (pretty) and wooden petals (pretty surprising). “These techniques would be too fragile for the regular Vivier collections,” he says, “but they’re just right for this one.” Both styles rest on a heel that Frisoni calls Nouvelle Vague (New Wave)—which it is, in more ways than one; it’s a different shape for the house, and a different shape for heels, a sensual, languid curve that elevates the feet 110 millimeters or so above the ground.
There are straw shoes adorned with a rose—woven by a milliner—in a shade that looks like wheat kissed by the sun. Or tea-stained silk mesh pumps embroidered with flowers constructed out of beads (pretty) and wooden petals (pretty surprising). “These techniques would be too fragile for the regular Vivier collections,” he says, “but they’re just right for this one.” Both styles rest on a heel that Frisoni calls Nouvelle Vague (New Wave)—which it is, in more ways than one; it’s a different shape for the house, and a different shape for heels, a sensual, languid curve that elevates the feet 110 millimeters or so above the ground.
This sounds like a total fairytale fantasy. Dorothy will be happy to click her shoes.
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